Vicente Muñoz was an integral part of the landscape of Campo Grande, the central park of Valladolid, which had always served as "minute", classical name differed from studio photographers in that they made in the streets, in parks or at fairs all his work, from approach to developing. His clients were preferably without graduation soldiers and the girls service, engaged couples leaving the Hall Pradera cinema after a double program, engominadas families and the people of the towns that line drive coming to spend the day in the capital. The camera obscura was crowning a hand made tripod. That old machine had an extraordinary optics, a Voiglander goal that cost good money well spent, giving the quality and strength of lenses that portrayed thousands of people in the forty years of use of that endearing minute. He died in the early 90s.
